Category Archives: Ani Difranco

Ani DiFranco

♪ Haftanın Şarkısı: Both Hands- Ani DiFranco

Bu haftanın şarkısı: Both Hands, Ani DiFranco’dan geliyor. Nedendir bilinmez ama bu aralar haftanın şarkısını seçmekte çok zorlanıyorum. Belki daha sonra blogda paylaşırım ama Ani DiFranco’nun Untouchable Face adlı parçasınıda dinlemenizi öneririm.

Umarım 2013′ün ilk günleri sizin için iyi geçiyordur. 
Herkese iyi haftasonları!

 

Ani Ani Ani

Ani Difranco is a poet and I wish my eyebrows were more like hers. Maybe I should get a nose ring…I was wandering around the city the other day, came upon a store, walked in, browsed, and walked out.

Ani-way. I went home and I logged onto my laptop and I opened my itunes and I searched for Ani Difranco because, there’s no reason why not to. A sad thing happened. It went missing. And it wasn’t stored on my computer. She should have been right after Alanis Morissette and right before Anika Noni Rose. It was a tragedy.

And so I googled “Ani Difranco you had time.” I feel better now. I can eat my roast chicken and kale chips in peace.

Ani Difranco @ The RITZ Ybor 10/16/2012

ANI DIFRANCO AT THE RITZ YBOR ON TUESDAY, OCTOBER 16, 2012

 

After 20 years in the music biz, self-described “Little Folksinger” Ani DiFranco is still technically little, although her influence on fellow musicians, activists, and indie-minded people the world over has been huge. She still proudly identifies as a folksinger, too, but her understanding of that term has always been far more expansive than a bin at the record store or a category on iTunes, with ample room for soul, funk, jazz, electronic music, spoken word, and a marching band or two. Over the course of more than 20 albums, including the live double-CD Living in Clip (1997) and the two-disc career retrospective Canon (2007), as well as her latest, ¿Which Side are You On? (2012), Ani has never stopped evolving, experimenting, testing the limits of what can be said and sung. Her lifelong tribe of co-conspirators includes everyone from Pete Seeger and the late Utah Phillips to a new generation of twentysomething singersongwriters who grew up with her songs and shows—and then there’s the motley crew of folks like Prince, Maceo Parker, Andrew Bird, Dr. John, Arto Lindsay, Bruce Springsteen, Chuck D, the Buffalo Philharmonic, Gillian Welch, Cyndi Lauper, and even Burmese activist and Nobel Laureate Aung San Suu Kyi, with whom she has crossed paths in a myriad of ways.

Born in Buffalo, New York in 1970, Ani spent part of her twenties in New York City, then returned to her hometown where she established first a business office and then a performance venue called Babeville as the twentieth century ground to a halt and the twenty-first one revved up. For much of the last decade she’s been based in New Orleans—but at her core she’s always seen herself as “a traveler,” covering pretty much the four corners of the earth by now, both solo and with her band. (There’s less corner-covering these days, now that she’s consciously slowing down a bit and raising a daughter with partner and co-producer Mike Napolitano, but she still gets around just fine, playing venues like Madison Square Garden for Pete Seeger’s ninetieth birthday bash and another star-studded lineup at the Beacon Theater in Manhattan for Wavy Gravy’s seventy-fifth.)  Early in her career, Ani made a choice that is now so obvious to so many people that it’s hard to remember it was once considered brazen: to say no to every record label deal that came her way, and yes to being her own boss. That decision has earned her plenty of attention over the years, but it has never been what brought sold-out crowds to her shows around the world, fans debating every nuance of her lyrics, and fellow performers clamoring to work with her. No, all that has more to do with another choice she made early in life: To use her voice and her guitar as honestly and unflinchingly as she could, writing and playing songs that came straight from her own experience, her boundless imagination, her sharp wit, and her ever-more-nuanced understanding of how the world works. She did it in noisy bars with nothing but a shaved head and a lone guitar in 1990, and she’s doing it with renewed intensity today.

Ani Difranco will perform at The RITZ Ybor on Tuesday, October 16, 2012. TICKETS AVAILABLE HERE.
  
 

Independence Day – Ani Difranco

Ani Difranco: Splinter – a great song on unplugging




Splinter Lyrics

Something about this landscape just don’t feel right
Hyper air-conditioned and lit up all night


Like we just gotta see how comfortable comfortable can get
Like we can’t even bring ourselves to sweat


Sweat in the summer, shiver in the winter
Just enough to know that we’re alive
Watch out for that TV, it’s full of splinters
And remember you can always go outside
Really, really, really far outside


And some might call it conservation
And some might call it common sense
And maybe it’s because I am Libra
But I say balance balance balance balance
I say balance balance balance balance


Who put all this stuff in my apartment?
Who put all this ice in my drink?
Who put the poison in the atmosphere?
Who put the poison in the way I think?


O women, won’t you be our windows
Women who bleed and bleed and bleed
Women who swim with the tide, women who change when the wind blows
Show us we are connected to everything
Show us we are not separate from everything


So here’s to the trials of living
Here’s to feeling our share of pain
All the way from childbirth to dying
Here’s to being connected to everything
Here’s to staying connected to everything